The record starts
up with a little wink to J.J. Cale, the energetic “Brotes verdes” and “Cayetana” a little
shuffle groove played by the band along harp player Manuel Velasco, right
before getting into more jazzy and
instrumental grounds in “El hábito no hace al monje”. They pay tribute to
Junior Wells in “Adonis”, a “Snatch it back and Hold it” cover in Spanish which precedes
“Black Spain” and the instrumental “De lo malo a lo peor”. They
go back to the blues on “Desencuentro
marital”, Velasco once again in Harp and Chema Palenzuela on keyboards. “I got the
blues” where the rythm section turns this blues music standard into reggae.
Blues Rock takes place on “Perra es la noche”
and “Bloody Mary” as well as the peculiar way of telling stories through
some very particular lyrics always present along the record wich confers
the band a special authenticity touch. Record ends up with Coltraine´s “Equinox” where they
travel again into jazz with Palenzuela on
rhodes piano and Velasco on harp. “Cuota of leche” possibly becames one
of the most rock oriented song from the record, with the band´s characteristic literary
stamp.
Normal
0
21
false
false
false
ES
X-NONE
X-NONE
/* Style Definitions */
table.MsoNormalTable
{mso-style-name:”Tabla normal”;
mso-tstyle-rowband-size:0;
mso-tstyle-colband-size:0;
mso-style-noshow:yes;
mso-style-priority:99;
mso-style-parent:””;
mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
mso-para-margin-top:0cm;
mso-para-margin-right:0cm;
mso-para-margin-bottom:8.0pt;
mso-para-margin-left:0cm;
line-height:107%;
mso-pagination:widow-orphan;
font-size:11.0pt;
font-family:”Calibri”,”sans-serif”;
mso-ascii-font-family:Calibri;
mso-ascii-theme-font:minor-latin;
mso-hansi-font-family:Calibri;
mso-hansi-theme-font:minor-latin;
mso-fareast-language:EN-US;}