travelling music and jazz improvisation

January 4, 2019

Listen: Nene Drums

Right from
the beginning and written by Marcelo Escrich “Contrahuellas” turns out to be an
impossible counterpoint game developed by Javier López Laso on accordion and
Luis Giménez on guitar a game played by double bass and drums rules. “Aporia”
is signed by Javier López Jaco built out from  rhythm contrast  and the accordion gloomy sound just to
progress in a dialogue between accordion and guitar. “La banda y El Conjuro” is
signed by Escrich  an Argentinian popular
music influence song right from double bass melody to accordion, guitar and
tenor sax voices. Cantus” (Kantuz) influenced by Basque Country popular music.
Written by López Jaso it wanders to french music giving away to double bass,
accordion and guitar improvisations. “Hugo vuelve a casa” is signed by Escrich.
A tribute to the memory of  argentinian
poet  Hugo Guillermo Tabachnik with a
clear tango flavour engaged by guitar and accordion leading to Gerardo
Fitanovich´s voice reciting a poem from the poet. Written by López Jaso “Nene”
is inspired by his son, a  sort of a
lullaby  that softens the drums rhythms
making way to the solos.  “Aldrán” is
framed in a slow intro, developing guitar, double bass, accordion sounterpoints
and drum improvisations finishing in a slow tempo outro. Javier López
Jaso writes  “Donostia- Pamplona, Iruñea-San
Sebastián” a travelling inspired song. Marcelo Escrich puts an end to this record signing   “Diálogos y Secuelas” with the collaboration
of Alberto Arteta on tenor sax.


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